





























Around 1990, I began making paintings depicting aspects of the art world. This series titled Paintings about Art, looks at art in the same way as a still life. The paintings depict art in various locations from artists’ studios, to storage facilities, to art galleries, to personal collections, to museum exhibitions, etc. I am interested in looking at art and how it is defined by context. Dan Flavin’s fluorescent fixtures are invested with completely different meanings because of context, whether it is a hardware store or a museum. The art in its context can be either homogenous or jarring. It is this point of transformation that interests me. The paintings offer a multifaceted view of a world within the world. One painting, Crate with Dan Graham Sculpture (C.C.A.), shows a Dan Graham work during installation at the Canadian Centre for Architecture in Montreal. The painting depicts the piece halfway between transportation and exhibition.
As I work from my own photographs, the current series hinges on the intersection between painting and photography. The relation of photography to painting has always been a source of fascination. The photograph is also an indispensable tool for the paintings. The paintings reveal a deadpan image with a minimum of subjective editorializing. The paintings are small, approximately 20 x 30 to 50 x 70 cm. The size offers an inversion and contestation of the overstatement in so much contemporary art. They are painted on Baltic plywood panels with flashe paint, a form of vinyl gouache that has very brilliant matte colours. This physical aspect of the work is very important.
Around 1990, I began making paintings depicting aspects of the art world. This series titled Paintings about Art, looks at art in the same way as a still life. The paintings depict art in various locations from artists’ studios, to storage facilities, to art galleries, to personal collections, to museum exhibitions, etc. I am interested in looking at art and how it is defined by context. Dan Flavin’s fluorescent fixtures are invested with completely different meanings because of context, whether it is a hardware store or a museum. The art in its context can be either homogenous or jarring. It is this point of transformation that interests me. The paintings offer a multifaceted view of a world within the world. One painting, Crate with Dan Graham Sculpture (C.C.A.), shows a Dan Graham work during installation at the Canadian Centre for Architecture in Montreal. The painting depicts the piece halfway between transportation and exhibition.
As I work from my own photographs, the current series hinges on the intersection between painting and photography. The relation of photography to painting has always been a source of fascination. The photograph is also an indispensable tool for the paintings. The paintings reveal a deadpan image with a minimum of subjective editorializing. The paintings are small, approximately 20 x 30 to 50 x 70 cm. The size offers an inversion and contestation of the overstatement in so much contemporary art. They are painted on Baltic plywood panels with flashe paint, a form of vinyl gouache that has very brilliant matte colours. This physical aspect of the work is very important.
Cave Tour
2014
Flashe on panel
48.4 x 63.4 cm
Spiral Jetty
2014
Flashe on panel
48.4 x 63.4 cm
Lightning Field
2013
Flashe on panel
48.4 x 63.4 cm
Double Negative
2012
Flashe on panel
48.4 x 63.4 cm
Michel de Broin (the Quebec Triennale, Musée d'art contemporain, Montreal)
2008
Flashe on panel
52 x 41.5 cm
Pink Light (Frankfurt)
2008
Flashe on panel
19 x 24 cm
Richter at Ludwig
2009
Flashe on panel
23 x 18 cm
Taubenbrunnen 1
2009
Flashe on panel
46.2 x 63.5 cm
Classroom
2007
Flashe on panel
51.5 x 34.5 cm
Dan Flavin (National Gallery of Canada, Ottawa)
2007
Flashe on panel
54.5 x 42 cm
Place des Arts Metro Station
2008
Flashe on panel
49 x 61.8 cm
Museum with Orange Telephone (Budapest)
2005
Flashe on panel
15.2 x 20.3 cm
Museum with Pink Walls (Budapest)
2005
Flashe on panel
20 x 16.3 cm
Ellsworth Kelly at Matthew Marks (NewYork)
2005
Flashe on panel
20.3 x 15.2 cm
Empire
2006
Flashe on panel
21.5 x 28.9 cm
Jean-Pierre Gaultier at MOCCA, Toronto #2
2006
Flashe on panel
30 x 22 cm
Maman #3 (Ottawa)
2006
Flashe on panel
28.8 x 22.7 cm
Maman #7
2007
Flashe on panel
25.5 x 26 cm
Hallway, Okono Building, Tokyo, #1
2007
Flashe on panel
23.8 x 18 cm
Collection, Banques Nationale
2007
Flashe on panel
68.5 x 51 cm
Gunter Forg, Frankfurt
2007
Flashe on panel
60 x 42.2 cm
Joseph Bueys(Chelsea)
2003
Flashe on panel
26 x 26 cm
Rodney Graham (MAC)
2007
Flashe on panel
48.4 x 63.4 cm
Brian Jungen Sculpture (Montreal)
2006
Flashe on panel
17.8 x 20.3 cm
Crate with Dan Graham Sculpture, CCA (Montreal)
2003
Flashe on panel
15.2 x 20.3 cm
Studio with Cat
2002
Flashe on panel
15.2 x 20.3 cm
Documentation
2003
Flashe on panel
20,3 x 15.2 cm
Frank Stella at Bernard Jacobson 2 (London)
2002
Flashe on panel
15.2 x 20.3 cm
Wood shop(Dominion Gallery)
1993
20.32 x 15.24
Gouache on Paper
Paint Table
1986
121.92 x 243.84
Oil on Canvas